DAMEI ART MUSEUM: JIANG YI SOLO SHOW
达美艺术中心是北京新兴企业美术馆。由达美投资公司以及达美地产公司主办的企业性美术馆。达美艺术中心美术馆，不只是展出国内海外艺术家展览，并有艺术沙龙、学术研究、典藏服务、高端艺术、增值服务、资源整合、对外交流八大板块为一体的国际顶级艺术发展平台。美术馆整合全球顶级资源，定位最高学术水准和国际知名艺术大展，成为最具品牌竞争力的民营美术馆及大型文创项目。 美术馆拥有1050平米无柱双层典雅艺术厅，内置吸顶基础音响系统，两馆之间空中云梯连接，基础照明及射灯可调节系统，15个升降吊点及57个固定吊点，匠造简洁大气的展览空间。 达美艺术中心美术馆在文化艺术领域有着广泛的探索和发展，五栋大楼中包括会员制艺术俱乐部，基金会，会所等等，已举办多场中外文化艺术展古今中外的文化艺术在此交流与碰撞，成为北京东部文化艺术新地标。
The poster of JIANG YI solo exhibition DAMEI MUSEUM
DAMEI ART MUSEUM
Damei Art Center is the Art Museum of emerging enterprises in Beijing. It is a new Art Museum sponsored by DAMEI INVESTEMENET company and DAMEI Real Estate company. The Damei Art Museum is not only a display of domestic and overseas artists, but also an international top art development platform integrating art club (only member not fot public), academic research, collection service, high-end art, value-added service, resource integration and foreign exchange. The art museum integrates the world's top resources, positioning the highest academic level and international well-known art exhibition, becoming the most competitive private art museum and large-scale cultural and creative projects. The museum has a 1050 square meter column free double deck elegant art hall, with built-in ceiling mounted basic sound system, aerial ladder connection between the two museums, adjustable system of basic lighting and spotlight, 15 lifting and 57 fixed lifting points, creating a simple and atmospheric exhibition space. The Art Museum of Damei Art Center has a wide range of exploration and development in the field of culture and art. Among the five buildings, including membership art clubs, foundations, clubs and so on, it has held a number of Chinese and foreign cultural and art exhibitions. The exchange and collision of ancient and modern cultures and arts between China and foreign countries has become a new cultural and artistic landmark in eastern Beijing.
One of the most important key person to discover Chinese art history
In 1992, Jiang Yi was invited to participate in the most important Asian contemporary art exhibition in the history of Japanese Art:“ a journey of Asian contemporary art.”
The exhibition is the founder of Japanese contemporary art and director of Saitama Modern Art Museum, Yukio Tanaka, who organized the exhibition in Japan's Saitama modern art museum. In the history of postwar art in Japan, the art museum mainly displays Western masterpieces, such as Van Gogh, Cezanne, Monet, Rubens, Velmeer and so on. Under the new trend of advocating pluralism in the 1980s, such as MoMA's "primitive exhibition of Fine Arts in the 20th century" in 1984, and the "magician of the earth(Magiciens de la Terre)" exhibition at Pompidou Art Center in Paris in 1989, Japan paid attention to Asia in the 1990s. In 1992, a tour of contemporary art in Asia was the first large-scale planning exhibition on Asia in Japan. The Chinese artists in the exhibition include Xu Bing, Cai Guoqiang, Yu Youhan, Jiang Yi, and other international artists representing China. The exhibition was very sensational and was commented by four critics: the critic Hideki Nakamura, Professor of Nagoya Modeling University; an Koichi Yasunaga, the first director of Fukuoka Asian Art Museum; Nakamura Makoto, the curator of Saitama Modern Art Museum; and Tokio Tanigawa, director of Mithila Art Museum. It can be seen that this exhibition is very attractive in Japan. "Under the great influence of European and American art, how can we find the" tree of life "? Can we find the source of our spirit? The journey to find the answer has just begun. In the foreword of the exhibition, the museum said that "Asia with a long history is full of distress in modern times. But Asia has taken a strong step in the 21st century. At present, all fields are paying close attention to Asia, not only population resources, but also people's end of rationalism and material civilization in modern times of the west, and finding new possibilities in different aspects of Asian Spirit. This exhibition leaves the western structure of Asian cosmology, from modernism to postmodernism, reflecting local customs: the tree of life, to explore its roots and rethink the face of contemporary art. "
The exhibition held by Xu Bing, Cai Guoqiang, Yu Youhan and other artists, the poster used Jiang Yi's works. It can be seen from the documents that during the exhibition, Cai Guoqiang, Jiang Yi and Wang Xinping had a reception dinner. “ASAHI GRAPH” magazine also introduced Jiang Yi's artistic achievements. Most of the exhibitions in Japan are invited Jiang Yi. Jiang Yi's works are highly recognized and widely concerned in Japan. Jiang Yi has become the most famous Chinese artist in Japan.
展览现场 JiangYi Exhibition
江屹作品 JiangYi Art work
达美艺术中心美术馆的当代艺术开馆展，举办了国际艺术家江屹的大型个展《云观万象 墨韵千尺》。江屹是日本最著名的中国艺术家，1980年代作为第一批中国高教部派遣留学生到日本，移居日本，主要生活和创作在日本，美国华盛顿，洛杉矶，法国等地。1991年在韩国首尔举办个展，1992年被邀请参展日本美术史中最重要的亚洲当代艺术展：《亚洲当代艺术之旅》（日本琦玉近代美术馆），1993年日本东京艺术大学研究当代艺术，应邀参展台北文教基金会企画中国现代美术《抽象、现代，美感》展 1994年在日本琦玉近代美术馆举办个展，1995年获得千叶市美术馆特别奖，其雕塑作品被千叶市美术馆永久收藏。1996年美国，法国举办个展。
1997年《东京国际当代艺术展》，东京都美术馆，朝日新闻社主办的《当代日本美术展》，美国洛杉矶的《美国洛杉矶国际当代艺术展》，1998年日本立川国际艺术节，韩国首尔的《韩国国际当代艺术展》，1999年受日本京都心华寺收藏48张作品。日本NHK电视台放送 JAPAN THISWEEK放送特集《江屹先生京都心华寺壁画创作》2002年 东京日本桥三越本店个展 东京银座松屋个展，2003年至今受日本千叶市政府邀请就任日本千叶市文化振兴财团评议员，在阪神百货店个展 东京松屋银座个展，2004年 日本千叶市立美术馆个展，2005年东京日本桥三越本店个展，银座SILKLAND画廊个展 东京，《现代水墨作家展》上野国立美术馆，千叶三越特选画廊个展 SOGO八王子美术画廊个展，东京松坂屋个展，2007年中国美术馆《中国首届岩彩艺术展》，东京国立新美术馆 《现代水墨作家展》等等在国际上举办多数个展，国际展，以及媒体专访。
Jiang Yi Retrospective Exhibition and his life
At the opening exhibition of contemporary art in the Art Museum of Damei Art Museum, a large-scale solo exhibition of international artist Jiang Yi was held. Jiang Yi is the most famous Chinese artist in Japan. In the 1980s, as the first batch of Chinese Higher Education Ministry sent overseas students to Japan and immigrated to Japan. He mainly lived and created in Japan, WashingtonDC, Los Angeles, France and other countries. In 1991, he held a solo exhibition in Seoul, South Korea. In 1992, he was invited to participate in the most important Asian contemporary art exhibition in the history of Japanese fine arts: “a journey of contemporary art in Asia (Saitama Modern Art Museum of Japan).” In 1993, he studied in Tokyo University of art studied contemporary art and was invited to participate in the exhibition of abstract, modern, aesthetic feeling of modern Chinese art by Taipei Cultural and educational foundation In 1994, he held a solo exhibition in Japan's Saitama modern art museum. In 1995, he won the special award of Chiba Art Museum, and his sculpture works were permanently collected by Chiba City Art Museum. In 1996, the United States and France held individual exhibitions.
展览 展厅A, JiangYi Exhibition
In 1997, "Tokyo International Contemporary Art Exhibition", "Contemporary Japanese Art Exhibition" sponsored by Asahi Shimbun, Tokyo Metropolitan Art Museum, "Los Angeles International Contemporary Art Exhibition" in Los Angeles, USA, 1998, Japan's Lichuan International Art Festival, "Korea International Contemporary Art Exhibition" in Seoul, Korea. In 1999, 48 works were collected by ShinKa temple, Kyoto, Japan. The Japanese NHK TV station broadcast the special collection "the mural creation of Mr. Jiang Yi in Kyoto ShinKa Temple" released by Japan NHK TV station in 2002, the solo exhibition of Mitsukoshi gallery in Tokyo, Ginza Matsuya, Tokyo. Since 2003, he has been invited by the government of Chiba City to serve as the reviewer of Chiba cultural revitalization foundation in Japan. He has been in the solo exhibition of Matsumura Ginza in Osaka department store, Tokyo, 2004 Individual exhibition of Chiba Art Museum, 2005, Tokyo, JapanMitsukoshi art gallery, Tokyo, silkland Gallery, Ginza, Tokyo, modern ink writers exhibition, Ueno National Art Museum, Chiba Sanyo art gallery, SOGO eight Prince art gallery, Tokyo Matsuzaka house solo exhibition, 2007 "China's first Gansai color art exhibition", Tokyo National New Art Museum Many individual exhibitions, international exhibitions and media interviews have been held internationally.
Jiang Yi held a solo exhibition at Damei Art Museum, and was warmly invited by Zhang Guoli, CEO of DAMEI Investment and DAMEI Group. Zhang Guoli is a long-time collector of Jiang Yi. He is obsessed with his works and thoughts. This solo exhibition in the art museum can be said to be a new work of Jiang Yi.
The first Chinese cross border Artist: Jiang Yi
In the 1980s, Jiang Yi was sent by the Ministry of higher education of China to study physics and obtained a Ph.D. in physics. He is the first doctoral dissertation in permeation Science in the world. His paper was published in the United States, which can be said to be a very good physicist. Jiang Yi's father loves calligraphy. Naturally, he loves art very much. His artistic talent is not covered by physics, but fused together. The curator and collector of the Japanese Art Museum has found new possibilities for Oriental Art in this regard. In the 1980s, Jiang Yi's works combined his physical background with Chinese ink painting and calligraphy to analyze the mysteries of Chinese ink painting in the way of dimensional mathematics and fractal mathematics. Japan has become the first Chinese cross-border artist. Wu Dongxing, chairman of Xinguang Mitsukoshi department gallery, and Mr. Hou Bowen of houzhengting culture and education public welfare foundation represent Zhao Wuji and important abstract art exhibtion in 1993 also including Jiang Yi's works. He hosted a large-scale exhibition of modern and contemporary Chinese exhibition “Abstract, Modern, Aesthetic ”. Among the 14 artists, including Zhu Dequn and Zhao Wuji, Jiang Yi is the youngest one.
Exhibition “Abstract, Modern, Aesthetic ” catalogue
"Dr. Jiang Yi's academic thesis have been published in the UK, Canada and Japan, and are highly respected by the professional academic community. However, in Japan and South Korea, he is famous as a modern ink painter. In seal cutting, He is also called "Kito" because of his unique style. He is not only an indefatigable academic researcher, but also an artist who constantly breaks through himself. In Jiang Yi's works, he abandoned his own style and conciseness. Between communication and modernity, they prove and inspire each other. Between abstract and concrete, they can enjoy themselves. Because of his long-term research in traditional Chinese painting, coupled with a sharp sense of the times and a sense of extraordinary color, his paintings reflect a profound and unique taste of ink and wash. His academic expertise - "the principle of ink impregnation in paper" makes him unique in the use of paper and ink different from the case, the texture of the picture is dark and deep.
Jiang Yi's achievements in painting have been enriched and perfected after a long period of creation. He was the first to devote himself to the freehand brushwork of traditional Chinese painting, Western painting of human body sketch, and even stone carving, calligraphy and wood carving. Then he took charge of Japan. After finishing the heavy study, he devoted himself to painting creation. He developed a personal style of interaction between realism and freehand brushwork, using abstract and concrete interwoven and blending personal style, and constantly explored and explored the essence of human beings, which produced a kind of power to frighten people's hearts.
He advocated science, Humanities (literature, art, music ）They are closely related to each other, and are based on each other. They enlighten and invent each other. Undoubtedly, it provides a new direction for the inheritance and innovation of most modern Chinese painters. Jiang Yiyu's academic, painting, seal cutting, calligraphy The "beautiful new world" of abstract paintings gives a magnificent and magnificent prospect.”
他强调： “传统的意义在于它能让人登上一个新的阶梯。” “应该在更高的层次上看中国画，画中国画，不能自己将自己的手脚捆起来。” “我想在极端物理意义上找到一种潜在的意识和感情，让物质和精神在高的层次上得到沟通。”
Famous litterateur Lin Qingxuan spoke highly of Jiang Yi's "ghost knife of two lakes"
Lin Qingxuan, known as "the Eight Great Contemporary Proses writer"
"As an artist and a doctor of mathematics and physics, Jiang Yi basically believes that art and science are interlinked, and art is also interlinked at a high level. Only when an artist fully grasps the basis of this commonness can he talk about the differences between them.
In his opinion, some very simple Chinese paintings are also a simple, general and thoughtful sketch. Because sketch is people's view of things and a manifestation of the world outlook, he thinks it is ridiculous that some people think that there is no sketch in Chinese painting.
He thinks that the principle of scattered perspective is similar to that of Cubism; freehand brushwork is expressionism and fauvism; artistic conception is symbolism; meticulous painting is neoclassicism...
"The significance of tradition is that it takes people up a new ladder," he stressed "We should look at Chinese painting at a higher level. We should not tie our hands and feet together when painting Chinese painting." Jiang Yi said "I want to find a kind of potential consciousness and emotion in the extreme physical sense, so that the material and the spirit can be communicated at a high level."
Therefore, Jiang Yi's art can be said to be the result of some resonance, some stimulation, some excavation and even some kind of collision, but the surface form is not so important. What he wants to grasp is essence, just as if grasping a person's cell contains the same structure of human body. "As long as a Chinese artist grasps this essence, he doesn't have to overemphasize tradition or emphasize that he is Chinese’"
Opening of the exhibition
On the opening day, most collectors and entrepreneurs at home and abroad came, which was very lively. Liu Shangyong, general manager of rongbaozhai in Beijing, said that he recognized the artistic achievements of Jiang Yi's works and expressed the impact of Jiang Yi's works on his own mind. He pointed out that Jiang Yi's artistic ideas and works played an important role in connecting Chinese painting with the past and the future, crossing the natural science to the humanities and art fields, and moving from the east to the world. He is the Oriental Da Vinci.
At the same time, the guests spoke highly of the facilities and environment of delta Art Center and praised its contribution to the development of Chinese culture and art.
In the last part, Mr. Jiang Yi elaborated the formation process of fractal dimension ink painting art concept and the exploration of the perfect integration of western mathematics and Oriental ink painting.
艺术家江屹与达美艺术中心董事长 张国利 JiangYi and the CEO of DAMEI Group Zhang Guo Li
Poster of exhibition