2026 国际数字媒体艺术展
国际评委公布！

费俊（中国）

中央美术学院设计学院艺术与科技方向教授、博士生导师，某集体ART+TECH 创始人、创意总监，中国美术家协会数字艺术艺委会秘书长。曾任2023央视春晚视觉总监、中央美术学院设计学院数码媒体工作室主任，北京媒体艺术双年展联合策展人。他以艺术家、设计师和教育者的多重身份从事艺术与科技研究、教育与实践，他的艺术实践主要关注由虚拟和实体场域共同构建的混合场域叙事。艺术及设计作品曾在58届威尼斯双年展中国馆等国际展览和艺术节中展出，并荣获了德国IF设计奖、红点设计奖、德国设计奖特别奖和亚洲最具影响力设计大奖等荣誉。

Jun Fei is a professor of the Art and Technology Program, school of design, China Central Academy of Fine Arts (CAFA), Founder & Creative director of MOUJITI ART+TECH, Secretary-General of the Digital Art

Committee of the China Artists Association. He was the head of CAFA Media Lab, and co-curator of Beijing Media Art Biennale. As an artist, designer and educator. he devotes himself to the research, education and practice of art and technology. His artistic practice explores the narrative in hybrid fields that are constructed by virtual and physical fields. His art and design work has been exhibited nationally and internationally in galleries, museums and festivals, including the China Pavilion at the 58th Venice Biennale,  and have received many international awards including the IF Design Award, Red Dot Design Award, German Design Award Special, and Design for Asia Award.

迪尔德丽·菲尼博士（澳大利亚）

是一位在当代艺术领域具有显著成就的学者与艺术家，现任南澳大学高级讲师。她拥有澳大利亚国立大学艺术与设计学院的博士学位，研究聚焦于光学图像系统、玻璃艺术及跨学科实践，探索科学、技术与视觉文化的交汇。她在国际知名出版社如Routledge、Emerald和Brepols发表多篇著作与章节，并在《Leonardo》、《Animation》等权威期刊发表论文。

迪尔德丽·菲尼博士的作品在全球多个重要展览中展出，包括ISEA2024、阿德莱德国际艺术节及比利时FotoMuseum等。她曾获多项资助与奖项，如ANAT Synapse艺术与科学驻留项目及Arts South Australia重大合作资助，并积极推动艺术与STEM领域的合作。目前她指导多名博士生，并在课程开发与教学方面贡献卓越，是艺术与科技交叉领域的领军人物。

Dr. Deirdre Feeney is a distinguished scholar and artist in contemporary art, currently serving as a Senior Lecturer at the University of South Australia. She holds a PhD from the Australian National University’s School of Art & Design, with research focusing on optical image systems, glass art, and cross-disciplinary practices that explore the intersections of science, technology, and visual culture. She has authored numerous publications with prestigious presses such as Routledge, Emerald, and Brepols, and has contributed articles to leading journals including Leonardoand Animation. Dr. Feeney's creative work has been exhibited internationally at notable venues such as ISEA2024, the Adelaide International Arts Festival, and FotoMuseum Antwerp. She has received multiple grants and awards, including the ANAT Synapse Art & Science Residency and a major collaborative grant from Arts South Australia, actively fostering partnerships between art and STEM fields. Currently supervising several PhD candidates, she also plays a key role in course development and teaching, establishing herself as a leading figure in the intersection of art and technology.

莫奔（法国）

是一位新媒体艺术领域的先驱人物及理论家，现工作于南京和巴黎。他的创作跨越虚拟现实、大型公共艺术装置等，融合社会政治与哲学视角。其开创性成就包括：创作全球首部全高清3D CG电视剧《QUARXS》（1991-93）；1995年推出首个洲际虚拟现实装置《大西洋底隧道》；1997年凭作品《世界皮肤，战争之地摄影之旅》荣获奥地利林茨电子艺术节“金尼卡奖”。他荣获超过30项国际大奖，作品在33个国家的重要博物馆、双年展及艺术节展出。近年来，他专注于神经设计、生成式人工智能及区块链艺术。莫奔亦为资深教育者，曾任教于巴黎大学、香港城市大学等知名学府，现任南京大学黄河学者特聘教授，并领导艺术与建筑智能实验室。

Maurice Benayoun (MoBen) is a pioneering figure and theorist in New Media Art, working between Nanjing and Paris. His work explores the boundaries of media, from virtual reality to large-scale public art installations, from a socio-political and philosophical perspective. His groundbreaking achievements include: creating the world's first full HD 3D CG TV series, QUARXS(1991-93); producing the first intercontinental VR installation, The Tunnel under the Atlantic(1995); and receiving the prestigious "Prix Ars Electronica Golden Nica" for World Skin, a Photo Safari in the Land of War(1997). He is a Knight of the French Order of Arts and Letters and has received over 30 international awards, with his work exhibited across 33 countries. His recent focus lies in neuro-design, generative AI, and blockchain art. An esteemed educator, Benayoun has taught at the University of Paris, City University of Hong Kong, and is currently a Distinguished Yellow River Scholar Professor at Nanjing University, where he founded and heads the Arts and Architecture Intelligence Lab.

汤姆·克林科斯坦（美国）

他是一位新媒体设计专业的教授，美国霍夫斯特拉大学教授 他曾是荷兰西布拉班特艺术与设计学院平面设计系的教授，并且还担任美国普瑞特艺术学院研究生传播设计系的兼职教授，C-IDEA 协会 （国际艺术与设计院校/教育者联盟）荣誉会员。

汤姆·克林科斯坦同时也是 Media A, LLC 的总裁和创意总监，这是一家国际知名的设计和咨询公司，客户包括 IBM、NASA、诺华、路透社、福特基金会、林肯艺术中心、康泰纳仕、摩根士丹利、日产、日本航空以及德国不来梅创新局等。他曾在超过100个商业、政治和学术团体中演讲，包括联合国信息社会大会、证券行业协会、杂志出版商协会、史密森学会库珀·休伊特艺术与设计博物馆、多伦多大学麦克卢汉文化与技术项目、孟买印度理工学院工业设计中心以及荷兰设计研究所的《感知之门》大会等。 他的作品在全球多个艺术中心、博物馆和画廊展出，包括纽约现代艺术博物馆，巴黎蓬皮杜中心和意大利威尼斯双年展等。克林科斯坦先生的作品还被收藏在荷兰当代艺术保护基金会的档案馆中；他为 NASA 创作的作品最近获得了两项“沟通者奖”，而他长达10米的数字艺术作品《网络设计师的关键路径：1990-2090》曾在美国图形设计协会第五大道画廊展出。

Tom Klinkowstein is a Professor of New Media Design at Hofstra University in the United States. He previously served as a Professor in the Graphic Design Department at the Academy of Art and Design in 's-Hertogenbosch, Netherlands, and as an Adjunct Professor in the Graduate Communications Design Department at Pratt Institute in the US. He is an Honorary Member of the C-IDEA Association (International Educator Association).

Tom Klinkowstein is also the President and Creative Director of Media A, LLC, an internationally recognized design and consulting firm. The firm's clients include IBM, NASA, Novartis, Reuters, the Ford Foundation, Lincoln Center for the Performing Arts, Condé Nast, Morgan Stanley, Nissan, Japan Airlines, and the Bremen Innovation Agency in Germany, among others. He has delivered lectures to over 100 professional, political, and academic groups, including the United Nations World Summit on the Information Society, the Securities Industry Association, the Magazine Publishers of America, the Smithsonian Institution's Cooper Hewitt, National Design Museum, the University of Toronto's McLuhan Program in Culture and Technology, the Industrial Design Centre at IIT Bombay, and the The Doors of Perceptionconference by the Netherlands Design Institute.

His work has been exhibited at numerous art centers, museums, and galleries worldwide, including the Museum of Modern Art (MoMA) in New York, the Centre Pompidou in Paris, and the Venice Biennale in Italy. Mr. Klinkowstein's work is also held in the archives of the Foundation for the Conservation of Contemporary Art in the Netherlands; his work for NASA recently received two "Communicator Awards," and his ten-meter-long digital art piece, *The Critical Path for the Cyber-Designer: 1990-2090*, was exhibited at the AIGA (American Institute of Graphic Arts) gallery on Fifth Avenue.

马克·比林赫斯特（澳大利亚）

现任澳大利亚阿德莱德南澳大学及新西兰奥克兰奥克兰大学教授，并同时担任两校共情计算实验室主任。他还兼任澳大利亚互动与虚拟环境研究中心（IVE）主任，以及澳大利亚和新西兰ARIVE研究网络负责人。

比林赫斯特教授以增强现实（AR）研究闻名，特别是在利用AR增强面对面与远程协作，以及AR界面设计方面成就卓著。2002年他获得华盛顿大学博士学位，其论文成为首篇关于协同AR系统的博士研究，创新性地提出了AR视频会议系统、共享过渡式AR界面，并率先开展了AR与非AR协同系统的正式用户对比研究。他开创的AR界面技术对领域发展影响深远，例如将实体用户界面与AR显示相结合的"可触AR"交互范式。目前他专注于共情计算研究，通过融合AR、VR与生理感知技术构建促进人际理解的协同系统。

他荣获多项重要荣誉：2013年因AR研究与产业化贡献当选新西兰皇家学会会士；2012年获IEEE ISMAR持久影响奖；2013年荣获IEEE VR/VGTC技术成就奖；2019年同时斩获IEEE ISMAR职业生涯影响力奖和IEEE VR/VGTC职业生涯奖；2022年入选ACM SIGCHI CHI人机交互学院及首届IEEE VGTC VR学院；2023年当选IEEE会士。

Mark Billinghurst is a Professor at the University of South Australia in Adelaide, Australia, and also at the University of Auckland in Auckland, New Zealand, directing the Empathic Computing Laboratory in both places. He is also the Director of the Australian Research Centre for Interactive Virtual Environments at the University of South Australia, and the ARIVE research network in Australia and New Zealand.

Professor Billinghurst is well known for his research in Augmented Reality, especially the use of AR for enhancing face to face and remote collaboration, and for AR interface design. In 2002 he graduated from the University of Washington with the first PhD on collaborative AR systems, containing innovations such as AR-based video conferencing, shared transitional AR interfaces, and formal user studies comparing AR to non-AR collaborative systems. He also pioneered AR interface techniques that have significantly influenced the field, such as the Tangible AR interaction metaphor that combines tangible user interfaces for input and AR displays for visual output. Currently he is working on Empathic Computing, which combines AR, VR and physiological sensing in systems that create shared understanding between people.

He has received a number of awards. In 2013 he was elected as a Fellow of the Royal Society of New Zealand for his work in AR research and commercialization. In 2012 he was awarded the IEEE ISMAR Lasting Impact Award for the most influential ISMAR paper published in the previous 10 years. In 2013 he was awarded the IEEE VR/VGTC Technical Achievement Award, and in 2019 both the IEEE ISMAR Career Impact Award, and the IEEE VR/VGTC Career Award. In 2022 he was elected to ACM SIGCHI CHI Academy for leading HCI researchers, and inducted into the inaugural class of the IEEE VGTC VR Academy. In 2023 he was elected as an IEEE Fellow.

张明（中国）

广西师范大学出版社集团编审、学术委员会委员、美术馆馆长，广西师范大学桂学博物馆副馆长。同时担任中国出版协会书籍设计艺术工作委员会副主任，广西美术家协会插图装帧艺术委员会副主任，广西高校设计学类专业教学指导委员会委员，新疆人民出版社（新疆少数民族出版基地）装帧设计专家库特约专家，广西师范大学客座教授，并入选“广西文化领军人才”。曾任第七、第八、第十届“全国书籍设计艺术展”评委，首届“京剧艺术国际海报双年展”评委。

策划编辑的图书及书籍设计作品共有70余种获国家级、省部级奖项，包括中国出版政府奖、全国“金牛杯”优秀美术图书奖、“啄木鸟杯”中国优秀文艺评论著作奖、“全国书籍设计艺术展”最佳作品奖、“中国最美的书”奖等多项重要荣誉。2018年开拓出版+展览联动发展，先后策划组织了60余场艺术展览和学术活动。

He holds the positions of Editor, Member of the Academic Committee, and Director of the Art Museum at Guangxi Normal University Press Group, while also serving as Deputy Director of the Guangxi Normal University Guixue Museum. His professional roles include Vice Chairman of the Book Design Art Committee of the China Publishing Association, Vice Chairman of the Illustration and Book Binding Art Committee of the Guangxi Artists Association, membership in the Guangxi Higher Education Design Teaching Guidance Committee,Specially invited members of the binding design expert database at Xinjiang People's Publishing House (Xinjiang Ethnic Minorities Publishing Base), and Adjunct Professor at Guangxi Normal University, having been selected as a "Guangxi Cultural Leading Talent". He previously served as a judge for the 7th, 8th, and 10th National Exhibition of Book Design in China and the inaugural Peking Opera Art International Poster Biennale. Over 70 books he planned/edited or book design works have earned national and ministerial-level awards, including the China Government Publishing Award, National "Golden Bull Cup" Outstanding Art Book Award, "Woodpecker Cup" Outstanding Literary Criticism Award, Best Works Award at the National Exhibition of Book Design in China, and "China's Most Beautiful Book" Award. Since pioneering the "Publishing + Exhibition" model in 2018, he has organized over 60 art exhibitions and academic activities.

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