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日本美术馆举办90后国际艺术家江上越个展
作者: 视觉同盟 来源: 视觉同盟 时间: 2020年12月4日
Japanese Museum held EGAMI Etsu born 94 solo exhibition 


日本美术馆举办90后国际艺术家江上越个展


千叶市美术馆 Chiba City Museum of Art

千叶市美术馆
千叶市美术馆是1995年建立,主要以当代艺术,浮世绘,千叶相关艺术的三个方针做策展和研究,在日本当代艺术界非常有影响力。美术馆收藏一共有9500多件,其中浮世绘的和搜藏有3000多件。著名收藏作品由草间弥生早期作品,河原温,白发一雄,菅木志雄,等1970年代以来的当代艺术到伊东深水,喜多川歌麿等重要浮世绘。
以往举办过近代重要艺术家的展览“保罗克利展”“卢奥展”“毕加索,马蒂斯20世纪画家展”“夏加尔展”。日本著名当代艺术家的展览“杉本博司个展”“宫岛达男个展”“草间弥生收藏展”“瑞士当代艺术展”等等的回顾展以及群展。
美术馆的其建筑结构保留了1927年建造的日本近代的新文艺复兴样式的老建筑,以包围老建筑的方式盖的新建筑。其建筑被日本建设省成为公共建筑百选之一。
千叶市对艺术文化的支持实现了美术馆今年的翻新和扩建,2020年重新开馆。

Chiba City Museum of Art
Chiba City Museum of Art was established in 1995. It mainly curates and researches on contemporary art, Ukiyoe painting and Chiba related art. It is very influential in Japanese contemporary art circles. The museum has a total collection of more than 9500 pieces, including more than 3000 pieces of ukiyoe paintings and collections.Its famous collection works include early works of Yayoi Kusama, KawaraOn, Shiraga Kzuo, Suga Kishio, and other contemporary art since the 1970s to the important Ukiyoe paintings such as Ito Shinsi , Kitagawa Utamaro and so on.
In the past, he has held exhibitions of important artists in modern times, such as PaulKlee exhibition, Luo Solo Show, Picasso Matisse 20th century painter exhibition and Chagall exhibition. The retrospective exhibitions and group exhibitions of famous Japanese contemporary artists such as "Sugimoto Hiroshi's solo exhibition", "Miyajima Tatsuo's solo exhibition", "Kusama Yayoi's collection exhibition", "Swiss contemporary art exhibition", etc.
The architectural structure of the museum retains the old modern Japanese Renaissance style buildings built in 1927, and the new buildings are built in the way of surrounding the old buildings. Its architecture is one of the 100 public buildings selected by the Ministry of construction of Japan.
Chiba City support for art and culture has realized the renovation and expansion of the museum this year, and will reopen in 2020.


江上越千叶市美术馆个展展览现场 EGAMI Etsu solo show in Chiba City Museum of Art

江上越个展开幕
江上越在千叶市美术馆的个展11月3日隆重开幕。展览期间是11月3日到12月13日,与宫岛达男在千叶美术馆的个展同时期展出。宫岛达男是日本著名艺术家,1999年代表日本馆参加了威尼斯双年展。江上越活跃于伦敦、德国、芝加哥、北京等国际舞台。从自身的海外经验到以交流为主题的一贯制作活动受到国际上的高度评价,2020年作为最年少艺术家上榜福布斯30岁以下精英榜,2019年获得了亚洲杰出艺术家奖。入围VOCA展2020,在上野之森美术馆展出作品。

江上越1994年出生与日本。留学北京中央美术学院,德国HFG(The Karlsruhe University of Arts and Design)、目前在中央美术学院攻读博士课程。基于自身丰富的海外体验重新思考人类交流的可能性,从语言学到社会学,人类学,哲学等各种学术领域辛勤探索,她通过语言的起源探讨人的本性,反思语言导致的社会。她的每一个艺术「项目」,积累了大量的在地性现场调查和文献资料,用更宏观的角度,以交流的主题为主线,一个个不断深入,在国际上得到高度的评价。作为最年轻的艺术家入围Sovereign Art Foundation的亚洲杰出艺术家2020 Finalsit其作品被莫斯科车库美术馆收藏。最近举办了日本白石画廊银座本馆的个展“江上越展:你的名字?”,“In to the light…Etsu Egami solo show”(德国)、“Dialogue beyond 400 years”(伦敦)、“This is not a Mis-hearing game”(北京德萨画廊)、“对话4000年-江上越个展”(日本千叶市艺术文化新人奖获奖项目)等个展。

EGAMI Etsu solo exhibition open
EGAMI Etsu's solo exhibition in Chiba City Museum of Art opened on November 3. The exhibition period is from November 3 to December 13, which is the same period as Miyajima Tatsuo's retrospective exhibition in Chiba City Museum of Art. Tatsuo Miyajima, a famous Japanese artist, participated in the Venice Biennale on behalf of the Japanese pavilion in 1999. EGAMIEtsu is more and more active in London, Germany, Chicago, Beijing and other international stages. From her overseas experience to the consistent production activities with the theme of the essense of communication, she are highly praised by the international community. In 2020, as the youngest artist, she was listed on the Forbes list 30 under 30, and won the finalist of Asian Art Prize in 2019. She was suggested for VOCA2020 which is most imporantant exhibition for chosing emerging artist, and exhibited her works in Ueno-Royal Museum.

Etsu Egami was born in Japan, in 1994. She studied abroad at HfG Karlsruhe (The Karlsruhe University of Arts and Design). in Germany, Central Academy of Fine Art in Beijing. Currently, she studies at the Central Academy of fine arts for a doctor’s degree. She reconsiders the possibility of communication from her wide experience of oversea, and studies from various academic fields such as linguistics to sociology, anthropology, and philosophy including the origin of languages. Particularly, she devotes herself to a reconsideration of society by words. Her “project” gained international acclaim for the site-specific field survey and documentation. And those factors have deepened the theme of “communication” and highly praised internationally.
As the youngest artist, she was shortlisted for a sovereign art foundation as an Asian Art Prise2019 finalist, also as an outstanding Asian artist, her works were collected by the Moscow Garage Museum of Art. Most recently, solo exhibitions such as “In to the light… Etsu Egami solo show” (Germany), “Dialogue beyond 400 years” (London), “This is not a Mis-hearing game” (Beijing), “Dialogue-4,000 years-Etsu Egami Exhibition” (Chiba City Art and Culture Newcomer Award Winning Project) were held. In addition, her graduation works received a prize and collected by the Museum of the University.

江上越《彩虹》
江上越在美术馆的展出中讨论交流的本质即“交流之形”,除了架上作品之外,他通过美术馆的建筑的内部结构互动,展出了在地性作品。同时做了参加型作品与观众互动,让观众体验交流的本质。
在展出的系列作品“彩虹”是来源于艺术家的海外经验中的苦恼。艺术家在海外遇到沟通的障碍,深深感受到很难向人和人传达真意。那时交流就对艺术家像是灰色地带一样非常苦恼,有着纠葛。
在德国留学时,社会调查的课程,经过实地考察和大量文献,艺术家对交流的认识也渐渐改变。作为完全共存的形态,也有平行线的方式,倒不如说共存中最重要的是互相尊重?艺术家谈到“这时我强烈地感受到了彩虹色”。
彩虹的无论哪个颜色都是纯净美丽,各自闪耀着光辉,共存着。同时也是梦想、希望的象征。在这里彩虹色的语言和艺术家的心境非常一致,产生了共鸣。在她的作品中也使用平行线,让人联想到彩虹。虹色是艺术家对交流认识的现阶段的象征性语言。

EGAMI Etsu  <RAINBOW>
EGAMI Etsu discussed the essence of communication in the exhibition of the art museum, name "the form of communication". In addition to the painting work, she exhibited the local works through the interaction of the internal structure of the museum. At the same time, it makes the participating works interact with the audience to let the audience experience the essence of communication.
The series "Rainbow" on exhibition comes from the agony of artists' overseas experience. When artists encounter communication barriers overseas, they deeply feel that it is difficult to convey their true meaning to people. At that time, communication was very distressing and entangled with artists like gray areas.
When studying in Germany, the course of social investigation, after field investigation and a large number of literature, artists' understanding of communication gradually changed. As a form of complete coexistence, there are parallel lines, rather than mutual respect? The artist said, "I felt a strong sense of rainbow color at this time.".
Every color of rainbow is pure and beautiful, each shining brilliantly, coexisting. Rainbow is also a symbol of dream and hope. Here, the language of rainbow color is very consistent with the mood of the artist, which resonates with each other. Parallel lines are also used in her works, which are reminiscent of rainbows. Rainbow color is the symbolic language of artists' understanding of communication at this stage.


宫岛达男观看江上越作品  Miyajima Tatsuo and EGAMI Etsu


江上越作品《彩虹》 ⒸEtsuEgami  <Rainbow> EGAMI Etsu


江上越作品《彩虹》 ⒸEtsuEgami  <RAINBOW> EGAMI Etsu


误听游戏(橡子项目)现场中的森美术馆名誉馆长南條史生和江上越
Director of Mori Art Musuem in Japan : Nanjo Fumio and EGAMI Etsu


江上越作品《彩虹》 ⒸEtsuEgami


误听游戏(橡子项目)现场中的千叶市美术馆河合正朝馆长和江上越
Director of Chiba City Museum of Art KAWAI Masatomo and EGAMI Etsu


日本读卖新闻东京总部文化部主任 井上晋治
Director of Yomiuri Shinbun Tokyo Culture department Inoue Shinji and EGAMI Etsu


江上越作品 《彩虹》ⒸEtsuEgami  EGAMI Etsu <RAINBOW>


江上越的个展官方网站


日本三大报社之读卖报社报道千叶市美术馆江上越个展
The Yomiuri Shimbun report EGAMI Etsu solo exhibition in Chiba City Museum of Art


脑科学家 中野信子和江上越 NAKANO Nobuko and EGAMI Etsu

•误听游戏(橡子项目):
艺术家与参与者通过误听游戏等的交流。语言是信息传递的工具,也是传递的障碍。江上越从语言的起源,探索人性,反馈社会。如果说因为语不通,有了圣经旧约中的巴别塔的半途而废,而语言的误听和曲解就会有更多的纷争和不幸。甚至这种不幸的结果又会被误听和曲解,进入一种难以解脱的循环。从语言的起源出发,在相互重叠的影像中,再考交流的意义。所谓误听游戏就是用对方不懂的语言进行交流,对方凭直觉从语音中判断语义,这就是误听。(例如:Yada,鸭蛋,要得等)。突而随机的结果出乎意料,常常让人啼笑皆非。

同时与观众的怪谈的提问回答的谈话为基础可视化交流的过程和交流之形。让参加者在橡子上写上感受和名字,千叶市拥有者4000年前的文化遗迹:加曾利贝塚,其中发现的多数橡子证明古代的千叶人以橡子为食。同时橡子也是艺术家对家乡幼少时的回忆:在幼儿园旁的千叶公园与朋友们捡橡子。透明盒子封闭了交流的记忆,橡树籽可能有一天发芽,是当场与参与者对话的过程、是记忆的象征,也代表着交流的新的开始。


误听游戏(橡子项目)

Mis-hearing project
The communication between the artist and the participants is through Mis-listening game. Language is not only a tool for information transmission, but also an obstacle to it. EGAMI Etsu explores human nature and feeds back society from the origin of language. If the tower of Babel in the Old Testament of the Bible was abandoned halfway because of language barrier, there would be more disputes and misfortunes due to misinterpretation and misinterpretation of language. Even this unfortunate result will be misheard and misinterpreted, and enter into a difficult cycle. Starting from the origin of language, the meaning of communication is re examined in overlapping images.
The so-called mislistening game is to communicate in a language that the other party does not understand. The other side intuitively judges the semantic meaning from the pronunciation, which is called mislistening. (e.g. Yada, duck eggs, etc.). Sudden and random results are unexpected and often make people laugh or laugh.
At the same time, we can visualize the process and form of communication based on the strange conversation with the audience, the question and answer conversation. Let the participants write their feelings and names on the acorns. The cultural relics of Chiba City, which is 4000 years ago, are the remains of the city. Most of the acorns found in them prove that the ancient Chiba people ate acorns. At the same time, acorn is also the artist's memories of his hometown when he was young: picking acorns with friends in the Chiba park next to the kindergarten. The transparent box sealed the memory of communication. Oak seed may sprout one day, which is a process of dialogue with participants on the spot, a symbol of memory, and a new beginning of communication.


误听游戏(橡子项目) Mis-hearing game (Acorn project)


误听游戏(橡子项目)现场中的森美术馆名誉馆长南條史生和日本Atalie企业家社长平山
Nanjo Fumio director of Mori Art Museum  and CEO of Atalie company Hirayama particiapted Mis-hearing game


千叶市美术馆河和馆长和策展人畑井惠观看展览。
Hatai Megumi curator of Chiba City Museum of Art and Kawai Masatomo director of Chiba City Museum of Art and EGAMI Etsu


日本每日新闻记者信田女士参加误听游戏(橡子项目)
Reporter of Mainichi Shimbun news paper Nobuta  and EGAMI Etsu


策展人羽田美惠子和江上越


日本月刊Gallery 杂志中介绍江上越在千叶市美术馆的个展。
Gekkan Gallery Magazine introduce EGAMI Etsu’s work


千叶市文化财团布施先生花泽先生观看展览
Mr.Fuse and Mr.Hanazawa from Chiba City Culture foundation


千叶市美术馆河和馆长和策展人畑井惠观看展览。


读卖新闻记者采访江上越(橡子项目)Yomiuri Shimbun reporter interview EGAMI Etsu


东京大学名誉教授近藤成一观看展览
Professor of TOKYO Unicersity KONDO Shigekazu show EGAMI Etsu’s work


全球唱片公司 森淳一观看展览
Mori Junichi from Universal Music see EGAMI Etsu’s work


CCC副社长,银座SIX鸟屋书店馆长 山下和树和江上越
CEO of CCC company and Director of GINZA SIX Tsutaya Yamashita Kazuki and EGAMI Etsu


株式公社Kazusa酒店社长林孝二郎
Director of Kazusa hotel Hayashi Kojiro saw EGAMI Etsu solo show


SHINWA AUCTION(亲和艺术拍卖有限公司)佐藤参加误听游戏
Curator of SHINWA AUCTION Sato participated Mis-hearing game with EGAMI Etsu

江上越的另外的参加型项目,通过声音画出形象来探讨视觉和听觉得关系和潜意识。
Another participating project in EGAMI Etsu explores the relationship between visual and auditory perception and subconsciousness by drawing images with sound.

中日法的国际论坛《交流之形》
在疫情的影响下,很难国外观众来到日本观看展览。在这次江上越的个展中11月28日举办国际论坛。邀请了UCCA当代艺术中心副馆长尤洋,巴黎蓬皮杜艺术中心策展人Julie Champion,日本美术评论家千叶成夫,艺术家江上越,其翻译邀请了Dupont日本法人常务林隆一。论坛题目以<交流之形> 作为切入点,多角度的探讨。

The international forum of Japan ,France and China, 
Under the influence of the epidemic, it is difficult for foreign visitors to come to Japan to see the exhibition. In this exhibition, an international forum was held on November 28. You Yang, deputy curator of UCCA Contemporary Art Center, Julie champion, curator of Pompidou Art Center in Paris, Japanese art critic Chiba Chengfu, and artistEGAMI Etsu were invited to talk. Their translator invited DuPont Japanese corporate executive director Hayashi Ryuihi . The topic of the forum takes "The Shape of communication" as the breakthrough point and discusses it from various angles.

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