展览信息 EXHIBITION INFO

回归•重塑：布德尔与他的雕塑艺术

展览时间：2017年11月21日至2018年4月30日
展览地点：清华大学艺术博物馆一层展厅
展览总策划：冯远  艾美丽•斯密耶
策展人：杨冬江  杰霍姆•戈度  克莱尔•巴比伦
项目统筹：王晨雅  王鹏  赛琳•马尚  安奈伊斯•昆萨
展览设计：管沄嘉  王晨雅  刘雅羲
视觉设计：王鹏
展览执行：刘雅羲  张明  钟子溦  王兆  孙艺玮  杨晖  兰钰  许诺  让-菲利普•曼扎诺  乔纳森•阿斯图尔  米连娜•布兰切
主办单位：清华大学艺术博物馆
协办单位：巴黎博物馆联盟  布德尔博物馆

ANTIQUITY INTO FUTURE: BOURDELLE AND HIS SCULPTURES

Exhibition Period: 21 November 2017–30 April 2018
Exhibition Venue: 1st floor exhibition hall, TAM
Chief Curator: Feng Yuan  Amélie Simier
Project Manager: Yang Dongjiang  Jérôme Godeau  Claire Barbillon
Exhibition Coordinator: Wang Chenya  Wang Peng  Céline Marchand  Anaïs Quinsat
Exhibition Design: Guan Yunjia  Wang Chenya  Liu Yaxi
Visual Design: Wang Peng
Exhibition Team: Liu Yaxi  Zhang Ming  Zhong Ziwei  Wang Zhao  Sun Yiwei  Yang Hui  Lan Yu  Xu Nuo  Jean-Philippe Manzano  Jonathan Astoul  Miléna Planche
Host: Tsinghua University Art Museum
Co-organizer: Paris Musées  Musée Bourdelle

展览简介 EXHIBITION PROFILE

此次展览聚焦法国著名雕塑家安托万•布德尔19世纪末至20世纪初的杰作，重新审视布德尔回归古希腊罗马神话题材而创作的作品，当属艺术家个人艺术风格日臻成熟完善时期的代表作，包括38件青铜雕塑作品，2件油画作品，8件水彩作品，素描及珍贵历史图片等，所有展品均来自法国布德尔博物馆的馆藏。

展览分为七个单元。第一单元“布德尔的创作之源”呈现了布德尔由学习到掌握雕塑技术期间用作参考和汲取灵感的考古文物；“帕拉斯（1887-1905）”“阿波罗（1898-1909）”“弓箭手赫拉克勒斯（1906-1909）”“果实（1902-1911）”，“珀涅罗珀（1905-1912）”及“香榭丽舍剧院与垂死的人马（1910-1914）”六个主题单元集中展现了布德尔重塑古代经典人物及题材的独特创作手法和理念，古希腊雕塑的传统与现代艺术的理念在布德尔的作品中完美地融合于一体。

The exhibition focuses on the masterpieces of the famous French sculptor Antoine Bourdelle from the late 19th century to the early 20th century. It re-examines the works of Bourdelle’s return to ancient Greek and Roman mythology. All these works are the representatives of sculptor’s personal artistic maturity, including 38 pieces of bronze sculpture, 2 pieces of oil painting, 8 pieces of watercolor painting, some sketches and precious historical photos. All the works are from the collections of Musée Bourdelle, France.
The exhibition is divided into seven sections. The first section, "Bourdelle’s Intrumentarium" presents the archeological artifacts that Bourdelle used as a reference and inspiration during his study of mastering sculpture techniques; "Pallas (1887-1905)" "Apollo (1898-1909) ", "Hercules the Archer (1906-1909)", "the Fruit (1902-1911)", "Penelope (1905-1912) " and "Theatre des Champs-Elysees and the Centaur (1910-1914)” these six thematic sections exhibit the unique creative techniques and concepts that Bourdelle used to reshape the ancient classic characters and themes. The tradition of ancient Greek sculptures and the idea of modern art are perfectly integrated in Bourdelle’s works.

艺术家简介 ARTIST PROFILE

安托万•布德尔是法国著名雕塑家、画家和教育家。他1861年生于法国蒙托邦的木工家庭，15岁获得奖学金进入图卢兹美术学校学习，8年后进入巴黎美术学院。然而，布德尔因其富有创造力的性格与该院墨守成规的学院教学产生冲突而退学，后经推荐进入罗丹工作室，成为罗丹的学生和助手，在罗丹工作室工作长达15年。
作为罗丹得力的助手和亲密无间的挚友，布德尔的雕塑受罗丹美学思想的影响，但他最终开拓出一条独具个人风格的艺术道路。布德尔的雕塑，内部造型结构与雄伟的建筑性和力量感和谐并存，同时带有理性冷峻的思考，在古典写实风格中浸润着现代主义气质。1929年布德尔逝世，他一生培养了大批优秀的艺术家，同时为后人留下了大量珍贵的艺术作品。

Antoine was an influential French sculptor, painter, and teacher. He was born at Montauban in 1861. His father was a cabinetmaker and sculptor in wood. He won a scholarship to learn at the art school in Toulouse. 8 year later, he entered the École des Beaux-Arts in Paris. However, he dropped out of school due to his creative personality which conflicted with the conservative college teaching. Bourdelle was later recommended to Rodin's studio as praticiens and student. He has worked for Rodin's studio for 15 years.
As a capable assistant and close friend of Rodin, his sculpture is influenced by Rodin's aesthetic thoughts. However, eventually he develops his unique artistic style of art. The internal modelling structure and the magnificent architectural power coexist harmoniously in Bourdelle’s sculptures with rational and solemn thinking, infiltrating the modernist temperament in the classical realistic style. Bourdelle died in 1929. He trained a large number of outstanding artists and left a large amount of precious works for future generations.

作品（图片+作品名） WORKS ON SHOW (IMAGE+TITLE)

 
© Musée Bourdelle / Roger-Viollet

《美第奇的维纳斯》
安托万•布德尔（1861-1929）
约1880年
直纹纸炭笔画

Copy from Antique Statue: Venus de’ Medici
Antoine Bourdelle (1861–1929)
Circa 1880
Charcoal on laid paper

© Stéphane Piera / Musée Bourdelle / Roger-Viollet

帕拉斯的躯干
安托万•布德尔（1861—1929）
1903-1905年
青铜，瓦尔苏阿尼铸造厂

Torso of Pallas
Antoine Bourdelle (1861–1929)
1903-1905
Bronze, cast by Valsuani

© Stéphane Piera / Musée Bourdelle / Roger-Viollet

带有正方体基座的战神阿波罗头像
安托万•布德尔（1861—1929）
原始石膏模型，1909年
青铜版本由鲁迪埃铸造厂铸造，约1930年

Apollo in Combat - Head with Square Base
Antoine Bourdelle (1861–1929)
Original model in plaster, 1909
Cast in bronze by Rudier, circa 1930

© Lyliane Degrâces-Khoshpanjeh, Musée Bourdelle, Ville de Parist

弓箭手赫拉克勒斯
安托万•布德尔（1861—1929）
1909年
青铜，叙斯铸造厂

Heracles the Archer
Antoine Bourdelle (1861–1929)
1909
Bronze, cast by Susse

© Stéphane Piera / Musée Bourdelle / Roger-Viollet

果实
安托万•布德尔（1861—1929）
1902-1911年
青铜，古博坦铸造厂

The Fruit
Antoine Bourdelle (1861–1929)
1902–1911
Bronze, cast by Coubertin

© Jacques Roseman / photo Jacques Olivier Rousseau
© Musée Bourdelle / Roger-Viollet

珀涅罗珀，原始尺寸
安托万•布德尔（1861—1929）
1912年
青铜，叙斯铸造厂

Penelope - Full Scale
Antoine Bourdelle (1861–1929)
1912
Bronze, cast by Susse

© Musée Bourdelle / Roger-Viollet

舞蹈
安托万•布德尔（1861—1929）
1912年
青铜，叙斯铸造厂

Dance
Antoine Bourdelle (1861–1929)
1912
Bronze, cast by Susse

© Lyliane Degrâces-Khoshpanjeh, Musée Bourdelle, Ville de Paris

垂死的人马，无胡须版本
安托万•布德尔（1861—1929）
1914年
青铜，古博坦铸造厂

Dying Centaur, Beardless Version
Antoine Bourdelle (1861–1929)
1914
Bronze, cast by Coubertin